The exorcist 2 the heretic
- #The exorcist 2 the heretic movie#
- #The exorcist 2 the heretic full#
- #The exorcist 2 the heretic professional#
Louise says, "It's the same old hair, isn't it, Carrie?" White says, "Jeez, you've come a long way, Virginia Slim." (Louise is from the South, and she was around the movie business a long time before her big break, as the wife of producer Jerry Bick.) White kneels on the floor before Louise, holding her hair up on either side, to give the effect of shorter hair - cradling her face, in effect. She sits and White stands behind her, feeling her hair.
She is brought, made up, into Boorman's office. Finally I came out, and the photographer said, 'I don't know why you bothered, I usually photograph Joe Namath.' I came out in the pictures looking like Joe Namath."
Louise: "I have some white lashes, can you see them?.I had a funny experience in New York they wanted some pictures of me so I got a guy I know who works for Avedon, he did my face and hair, it took two hours and the photographer had to wait. Liddiard: "No hair." She gives him a rueful look. Louise says, "Yeah, that eyebrow tends to stop right in the middle. "Now I'm just going to try this, don't get nervous." He works on her eyebrows. Liddiard carefully suggests eyeliner to Louise, as he did with Kitty - it is something he has learned that the women don't like. I can't close my eyes and have someone touch my face." She begins to look quite beautiful with the additional makeup, unlike Kitty. "I have to open an eye, otherwise I start to get dizzy and throw up. I did those rolls she had in Cuckoo's Nest." I've been doing her hair for thirteen years. "Louise doesn't want her hair cut yet she says she still has a week and a half. Finally it comes down to just a matter of being rested and having peace of mind and you're your own best makeup." Louise: "Correct under the eyes? I'd like a permanent correction underneath the eyes. Milos loved that, that demented look."īoorman: "Her neck is a very salient feature, her face went into her neck in Cuckoo. Fraker: "And we're using hard light in that hospital complex." Liddiard: "I see no problem going light, she has a real good complexion."īoorman: "She should look different when she goes out at night, startlingly different." Again, the crowd is gathered in Boorman's office. Her manner is slightly haughty, possibly concealing a bad case of nerves. She has quite a lot of natural chic she is nearly six feet tall and quite slender. Just keep in mind that we want a basic uncluttered profile for each character." Makeup and hair must carry through on these ideas.
#The exorcist 2 the heretic full#
Linda has a simple teenager look, and then we must gradually lead her to the end where she becomes a special human being, so then she must be luminous, full of light, have an effulgent quality.
#The exorcist 2 the heretic professional#
Kitty is nun-like Louise has a severity of line and color, with a softness brought in with sensuous materials, silk and crepe de chine - these say that under a rather severe professional guise is a woman. Don't dress them as they would look in life, but to help express their characters and give them a motif that the audience recognizes. At the start of the day, Boorman says to the department heads and their assistants congregated in his office, "What we want to do here is to find a silhouette for our characters and dress them in a narrow range of colors and textures. The three female leads are coming in for the first time for tests. It is a big day for the Makeup, Hair, and Wardrobe departments. She was practical, no-nonsense, and she had an aura of command and authority that could be a counterfoil to Burton's burnt-out case and at the same time carry the audience forward with her into acceptance of the new spirituality the film was presenting. Pallenberg suggested Jane Fonda or Ann-Margret for the role.Īnd then Boorman came up with Louise Fletcher, who had just won an Oscar as Nurse Ratched in One Flew Over the Cuckoo's Nest. They wouldn't even have to change a name. After all, it was argued, the conflict between Lamont and Tuskin, between faith and reason, would create some interesting, if unverbalized, confrontations if it were also between man and woman. David Carradine was reconsidered, but his persona was thought to be too close to Burton's. George Segal was approached, but the money he asked for was astronomical, so that was that. It was felt that Burton had an ascetic quality, tortured, otherworldly, and a practical, down-to-earth counterpoint was now needed. Boorman was skeptical, and Sarandon's screen test showed, Boorman thought, that he was too introspective an actor for the part. There had been a general move toward Chris Sarandon. From THE MAKING OF EXORCIST II: THE HERETIC